 
    
      
    Première at theatre Arsenic, Lausanne, October 31st, 1990.
Let us leave the imagery there where it is to be found – among souvenir shops, or buried in children’s books. There, where Don Quixote resembles the images of our creation, there where we already no longer resemble our own.
Let us talk about a fictitious character, who evolves in an unsettled world abounding in pretence. Who tirelessly pursues his image, in order to free himself of it, or to cling to it. Who could find sustenance in shadows.
Let us talk of the faculty of the character to deform his perception of the world.
We are not going to tell you the story of Don Quixote, therefore there is no point in looking for Sancho Panza! Rather we are seeking inspiration in the universe of Don Quixote and not endeavoring to retranslate the works of Cervantes.
What we are dealing with is the power of imagination, of its faculty to transform an awareness of the world. Of this artifice which we create, enabling us to live; of the indispensable illusions. Of our faculty in creating a world, repudiating all that surrounds us. Of our contradictions in treating those who, like Don Quixote, withdraw into their own world, as being mad.
In short, the human condition.
Saire’s Don Quixote was a metaphorical evocation which opened onto wider horizons dealing with dance conventions and even the human condition. Tapestry panels repeatedly unfurled to set the scene, only to be hurled away by dancers rejecting historical specificity. They preferred to pursue their own shadowy ideals, to fight their own internal demons.
Saire presented his piece as a context for an impressive choreographic talent, able to create vivid graphic shapes and contrapuntal patterns.
Nadine Meisner, The Times 13.05.1991
Vibrantly coloured, intricately detailed tapestries illustrating scenes from the life of Don Quixote unfurl ceremonously and dissect the space. But the dancers hurl them from the stage. No Chevalier, no Sancho Panza, no windmills. This is Cervantes’ universe from the inside – the joyful battle of life fought on great plains against wide horizons, a battle which saddens with mature regret in the shadows of undiscovered corners.
The three men and two women of Philippe Saire’s company are heroic in their exploration of this densely poetic landscape, urged on by the insistent rythms of Martin Chabloz’ brilliantly atmospheric score. 
The Place, London, May 1991
Paul Adler, Alain Barraud, Eric Bart, Roger Baudet, Jean-Pierre Baur, Miguel Cervantes, Carline Coigny, Alberto Daniel, Pierre Degaudenzi, Odile Ferrard, Boris Fischer, Jacques Gardel, Christiane Glauser, Laurence Imhoff, Marie-Claude Jéquier, Bernard Krähenbuehl, Eric Lesquereux, Reinhold Metz, Chantal Michetti, Brigitte Monod, Ursula Murkens, Jean-Michel Pellegrino, Marinette Pradervand, Serge A. Receveur, Gianni Schneider, Albrecht Schwarz, Alain Suard, Michel Thévoz, Rosanna Valle, Jacques Veillard, Laurette Wettstein, Jacques Zeller.
                        Choreography
    
                        Philippe Saire                      
                        Dancers
    
                        Corinne Layaz / Julie Salgues,
Evelyne Nicollet / Rahel Vonmoos,
Marc Berthon,
Philipp Egli / Charles Linehan,
Philippe Saire                      
                        Music
    
                        Martin Chabloz                      
                        Set design
    
                        Jean-Marie Bosshard,
Thierry Baechtold                      
                        Paintings
    
                        Antoine Delarue                      
                        Réalisation des décors
    
                        Thea’dec,
Deco Dac                      
                        Lighting
    
                        Christian Yerly                      
                        Costumes
    
                        Jocelyne Pache,
Elf Kirchhofer                      
                        Administration
    
                        Natacha Noverraz,
Sylvie Jeanguenat                      
        						Choreography
	  
        						Philippe Saire        					
        						Dancers
	  
        						Corinne Layaz / Julie Salgues,
Evelyne Nicollet / Rahel Vonmoos,
Marc Berthon,
Philipp Egli / Charles Linehan,
Philippe Saire        					
        						Music
	  
        						Martin Chabloz        					
        						Set design
	  
        						Jean-Marie Bosshard,
Thierry Baechtold        					
        						Paintings
	  
        						Antoine Delarue        					
        						Réalisation des décors
	  
        						Thea’dec,
Deco Dac        					
        						Lighting
	  
        						Christian Yerly        					
        						Costumes
	  
        						Jocelyne Pache,
Elf Kirchhofer        					
        						Administration
	  
        						Natacha Noverraz,
Sylvie Jeanguenat        					
 
        						
        				  		   	
        				  		
        							 
        						
        				  		   	
        				  		
        							 
        						
        				  		   	
        				  		
        							 
        						
        				  		   	
        				  		
        							 
        						
        				  		   	
        				  		
        							 
        						
        				  		   	
        				  		
        							 
        						
        				  		   	
        				  		
        							 
        						
        				  		   	
        				  		
        							 
        						
        				  		   	
        				  		
        							